A voice of warmth and depth with the instincts of a storyteller — built for long-form narration.
Samples
3rd POV Historical Fiction: Male Adult (Brooklyn accent)/Female Child Dialogue
3rd POV History (Non-Fiction)
3rd POV Science (Non-Fiction)
1st POV Historical Fiction-Dialogue Eastern European Accent
1st POV Romance M/F
Middle Grade History/Science
Current Project
Desert Hawking II by Harry McElroy
Available Now
Dr. Chance Ramsey has built a comfortable life of order, skill, and quiet detachment-until a cryptic letter from his elderly godfather, Manny Montoya, draws him back to Hermosa, the small New Mexico mountain town he has left behind. There, long-buried family secrets begin to surface: the truth about his father, his heritage, and events that have shaped him in ways he never understood.
Coming Soon
An audiobook version of my original, live storytelling performance of The Odyssey — performed at the gates of ancient Troy in Hisarlik, Turkey. The first episode, "The Golden Apple," is available below.
Story has run through my life and work.
As a SAG-AFTRA narrator and actor, performance storyteller, and educator, I have spent decades shaping stories for audiences: from ancient epics and folktales to personal narratives, classical and contemporary drama, historical material, and documentary films. A Fulbright recipient, U.S. Department of State English Language Specialist, World War I Museum Fellow, public middle school teacher, and river rafting guide, I have worked across continents in classrooms, museums, theaters, and outdoor settings. I have developed programs that use storytelling to illuminate history and the natural world, making complex subjects vivid and human.
As an audiobook narrator, I bring maturity, authority, and compassion to a range of nonfiction. I’m particularly drawn to history and the sciences, as well as biographies and memoirs: books that trace the forces that shape cultures and landscapes, illuminate discoveries, or bring remarkable lives vividly into focus.
In fiction, I enjoy voicing characters with contradictions, vulnerability, and, when the story calls for it, a darker edge. I’m drawn to stories across genres with descriptive and interior writing that brings a fictional world to life. In the booth, in support of any material, I return to a simple storytelling principle I learned years ago: if you see it, they’ll see it.